 |
|||||
  |
 For this exhibit, Andrew Kearney has created an installation that examines the sense of distortion one experiences in a world under surveillance. Issues of personal history, identity and sexuality are examined through the metamorphosed object: enormous, beautifully lacquered security camera pans the room; aerosol cans are made of bone china, a photograph of a giant conifer |
 turns out on closer inspection to be a cell phone mast. Kearney’s objects inhabit a space between disciplines and their intersections. Shifts in scale and material force the viewer to re-examine the boundaries between themselves and the work – to question whether they are participant or audience, viewer or viewed, prisoner or guard. The show further develops the artist’s ongoing interest in everyday |
interest in everyday interactions and conflicts with “man-made” objects and human alterations of environment. Sally Lelong The Phatory LLC Director phatory@mac.com |
|||
 |
|||||