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Sited in the Serpentine Gallery with its domed roof this installation with its corrugated galvanised steel (6m x5.5m x3.2m) outward skin, a material used at boarder crossings from South to Northern Ireland in the 70’s to the late 90’s.The structure was mounted on a circular steel tracks enabling full rotation at timed random intervals during the day. This seemingly static structure would shift, blocking the
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viewer from accessing some parts of the space and at others opening it up again. The unease of the piece with its fortress like exterior and candy pink structure within appears to shift the control from the viewer to the artwork in a time when the IRA was bombing the finance district of London.
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